Automatica

12/17/2011 —
04/22/2012

Fernanda Gomes

FernandaGomes7869

Title Project

Fernanda Gomes

Artisit

Fernanda Gomes

Where

MAM – Rio

Adress

Avenida Infante Don Henrique, 85,

Parque do Flamengo, Rio de Janeiro, RJ

Visitation

12/17/2011 – 04/22/2012

Text

Paulo Venâncio Filho

Production

Luiza Mello

Marisa S. Mello

Production Assistant

Luisa Hardman

Julia Pombo

The exhibition of Fernanda Gomes at Museum of Modern Art, Rio de Janeiro, is an occupation – wood, glass, cardboard, furniture, string, everyday objects, entire things and fragments form a single work, built with the uniqueness of each object (which can also be according to the artist, a finished work, as the log of wood with a full glass of water to the mouth). The exhibition space breathes the power of dialogue between the void and meet unexpected things.

12/17/2011 — 03/11/2012

João Modé —
For the silence of plants

IMG_9064

Project Title

For the silence of plants

Artist

João Modé

Where

Cavalariças – Parque Lage

Adress

Rua Jardim Botânico, 414,

Jardim Botânico, Rio de Janeiro, RJ

Visitation

12/17/2011 – 03/11/2012

Free Admission

Production Coordinator

Mariana Schincariol de Mello

Production

Ana Paula Vulcão

Project Manager

Marisa S. Mello

Administrative Coordinator

Carolina Lima

Multimedia

Belight

Set

Camuflagem

Rio de Janeiro Government

Governor

Sérgio Cabral

Vice Governor

Luiz Fernando Pezão

State Secretary of Culture

Adriana Rattes

Institucional Relations Undersecretary

Olga Campista

Undersecretary of Cultural Action

Beatriz Caiado

Superintendent of the Arts

Eva Doris Rosental

School of Visual Arts of Parque Lage

Director

Claudia Saldanha

Adviser

Vitor Zenezi

Administrative Coordinator

Herbert Hasselmann

Education Coordinator

Tania Queiroz

Project Coordinator

Clarisse Rivera

Supervision of Mediators

Cristina de Pádula

Mediators

Studants of the Training Course for Mediators – EAV Parque Lage

President

Paulo Albert Weyland Vieira

The exhibition proposes an intervention, designed by João Modé, especially for the Parque Lage. The work occupies since the gateway, crosses the space of Cavalariças and extends into the forest.
In the forest, paths constructed above ground level giving access to several points where speakers are installed, playing music and various sounds (some directly related to nature and others totally out of context).
Into the building of Cavalariças works a meditation space, a intersection of the street and the forest where the instalation develops. This space is occupied by the sound control, some musical instruments for musicians and people in general play, and also some documentation of the process as: drawings, engravings, photographs and a notebook with a list of songs.

12/10/2011 — 02/17/2012

Ivens Machado

IvensMachado5

Project Title

Ivens Machado

Artist

Ivens Machado

Where

Casa França-Brasil

Adress

Rua Visconde de Itaboraí, 78,

Centro, Rio de Janeiro, RJ

Visitation

12/10/2011 – 02/17/2012

Free Admission

Curators

Evangelina Seiler

Pedro Rivera

Production Coordinator

Luiza Mello

Production

Adriana Salomão

Luisa Hardmam

Project Manager

Marisa S. Mello

Administrative Coordinator

Carolina Lima

Multimedia

Belight

Architecture

RUA Arquitetos

Graphic Design

Quinta-feira

scene sets

Camuflagem

Press Office

Ana Ligia Petrone | Meio & Imagem

Rio de Janeiro Government

Governor

Sérgio Cabral

Vice Governor

Luiz Fernando Pezão

State Secretary of Culture

Adriana Scorzelli Rattes

Institucional Relations Undersecretary

Olga Campista

Superintendent of the Arts

Eva Doris Rosental

Undersecretary of Cultural Action

Beatriz Caiado

Executive Undersecretary of Culture

Luiz Fernando Zugliani

Casa França-Brasil

President

Evangelina Seiler

Chief Financial Officer

Ricardo Paiva Cavalcante

AID

Fátima Santiago

Project Coordinator

Jeanine Toledo

Project Assistant

Tânia Santana

Communication

Thiago Freitas

Administrative Team

Fabiana Oliveira

Fernando Seabra

Sandra Helena da Silva

Support

Valdeci Costa Lima

Interns

Elinatan de Oliveira Carvalho Alvarenga

Lívia Martins Ferraz

Rodrigo de Aguiar Cereja

In environments created from raw materials – wood, earth, boxes, ceramic tile – the artist dialogues with densities, with earlier works and resumes video art. Ivens Machado somehow rearranges the codes of conventional sculpture – works with issues such as volume and mass – and becomes one of the main representative artist of his generation.
Ivens has designed large environments with his works for the show, all untitled.

11/26/2011 — 12/18/2011

Travessias —
Contemporary Art at Maré

Travessias – Arte Contempor‰nea na MarŽ – Abertura dia 26-11-11

Project Title

Travessias – Arte Contemporânea na Maré

Where

Galpão Bela Maré

Address

Rua Bittencourt Sampaio, 169, Maré,

Rio de Janeiro, RJ

Visitation

26/11 – 18/12/2011

Free Admission

Execution

Observatório de Favelas

Espiral

Curators

Daniela Labra

Frederico Coelho

Luisa Duarte

Artists

Alexandre Sá

André Komatsu

AVAF

Chelpa Ferro

Davi Marcos

Emmanuel Nassar

Coletivo Filé de Peixe

Henrique Oliveira

Lucia Koch

Marcelo Cidade

Marcos Chaves

Matheus Rocha Pitta

Michel Groisman

Raul Mourão

Ricardo Carioba

Rochelle Costi

Pandilla Fotográfica

Executive management

Leticia Monte

Production Coordinator

Luiza Mello

Production

Ana Hupe

Ana Paula Vulcão

Arthur Moura

Luisa Hardman

Mariana Schincariol de Mello

Production Assistant

Liz Tibau

Editorial Production

Marisa S. Mello

Architecture

RUA Arquitetos |

Pedro Évora

Pedro Rivera

Graphic Design

Quinta-feira |

Duda Estrella

Pedro Moraes

Wallace

Press office

CW&A Comunicação

photography record

Imagens do Povo

Audiovisual record

Cadu Barcelos

Wagner Novais

lighting

Samuel Betts | Belight

Website development and edition

Felipe Vaz

Joca Vidal

Educational Program

Parceria com o Núcleo Experimental de Educação e Arte do MAM-RJ

The project proposes the incorporation of the Maré slum and its inhabitants on the map of the visual arts and the map of our cultural practices as active creators and questioning agents of the same principles and ideas that circulate in other areas. In the four weekends that happened the event, there were exhibitions of works, performances and workshops.

The role of visual artist and of contemporary Brazilian art is fundamental to this process of urbanand and aesthetics integration we need to build. The relation of the favela with the other inhabitants of the cities is directly by a mutual lack of looking. Enter your art in the everyday life of slums is much more than expose and unpublished works in spaces for new audiences. The art in this universe, becomes a powerful bridge between parties, which expands possibilities, stimulating conversations, and meetings between people, critics, curators, gallery owners, artists, students and other interested participants.

10/20/2011 — 01/15/2012

Lina Bo Bardi

lina bo bardi0021

Project Title

Lina Bo Bardi

Where

C-Mine Cultuurcentrum Genk

Address

Dieplaan 2 3600,

Genk, Belgium

Visitation

20/10/2011 – 15/01/2012

Curator

Alfredo Britto

Curatorial assistant

Pedro Évora

Tulio Mariante

Production Coordinator

Luiza Mello

Production

Mariana Schincariol de Mello

Production Assistant

Luisa Hardman

Project Manager

Marisa Mello

photographic printing

Estudio Lupa

Administrative Coordinator

Carolina Lima

Administrative Assistant

Marcílio Feitosa

National Transport

A Alternativa

International Transport

Hizkia Van Gralingen

Logistics and Transport Consulting

Al Consultancy

Insurance

Alliance Seguros

legal accessory

Álvaro Piquet Pessoa

Accountancy

Priori Assessoria Contábil

The exhibition brings together drawings, photographs and furnishings by architect Lina Bo Bardi, presenting three of her major projects: Glass House, the SESC-Pompéia project and MASP.
The architect Lina Bo Bardi was born in Rome and became a naturalized Brazilian. Until the 1990s, Lina remained intense activity in various areas of culture, and participated in numerous projects in theater, architecture, film and visual arts in Brazil and abroad. Besides her work as an architect, her career can be highlighted as a designer of furniture, objects and jewelry, curator, artist and set designer.

11/12/2011 — 02/05/2012

Design Brazil

_DSC4127

Project Title

Design Brazil

Where

Design Vlaanderen

Address

Koloniënstraat 56 – 7e verdieping, 1000

Brussels, Belgium

Visitation

11/12/2011 – 02/05/2012

Free Admission

Curator

Túlio Mariante

Design Vlaanderen Team

Inge Vranken

Assistant curator

Bernardo Senna

Production Coordinator

Luiza Mello

Production

Ana Hupe

Mariana Schincariol de Mello

Production Assistant

Luisa Hardman

Project Manager

Marisa Mello

photographic Printing

Estudio Lupa

Administrative Coordinator

Carolina Lima

Administrative Assistant

Marcílio Feitosa

National Transport

A Alternativa

International Transport

Hizkia Van Gralingen

Logistics and Transport Consulting

Al Consultancy

Insurance

Alliance Seguros

Legal Accessory

Álvaro Piquet Pessoa

Accountancy

Priori Assessoria Contábil

The show, which was part of the Europalia festival, offers a wide panorama of Brazilian design. Brazil has high-tech projects, designed for your sophisticated and globalized industry, simultaneously produces objects of high quality made in artisanal small-scale operations. This exhibition aims to show how diverse and creative Brazilian design expresses joy, a fascinating aspect of our culture.
In exhibition, products created by designers from around the country, including furniture, jewelry and bijus, textiles, lighting, children, fashion ornaments, household utensils and office.

11/16/2011 — 01/15/2012

Building Brasilia

brasilia1

Project Title

Building Brasilia

Where

BIP – Brussels Info Place

Address

2-4 rue Royale
B-1000 Bruxelas, Bélgica

Visitation

11/16/2011 – 01/15/2012

Curator

Alfredo Britto

Heloisa Espada (IMS)

Pedro Évora

Expographic Project

Pedro Évora

Collection

Instituto Moreira Salles

Production Coordinator

Luiza Mello

Production

Ana Hupe

Mariana Schincariol de Mello

Production Assistants

Luisa Hardman

Project Manager

Marisa S. Mello

Administrative Coordinator

Carolina Lima

Administrative Assistant

Marcílio Feitosa

Image Processing

Reserva Técnica Fotográfica do Instituto Moreira Salles

Artworks Setup

Reserva Técnica Fotográfica do Instituto Moreira Salles

Printing

Estúdio Lupa

Instituto Moreira Salles

National Transport

A Alternativa

International Transport

Hizkia Van Gralingen

Logistics and Transport Consulting

Al Consultancy

Insurance

Alliance Seguros

Legal Accessory

Accountancy

Priori Assessoria Contábil

The exhibition Building Brasilia, consist of 62 photographs from the collection of Instituto Moreira Salles (IMS), was part of the festival Europalia. The show offers a broad overview of the timing of the capital of Brazil highlighting the main works of the Brazilian architect Oscar Niemeyer in the city. It also presents images of the Bandeirante, the district officially created in 1957 to house the thousands of workers who were attracted there during construction.
The exhibition brings together images of Marcel Gautherot (Paris, 1910 – Rio de Janeiro, 1996), Peter Scheier (Glougau, 1908 – Airing, 1979) and Thomaz Farkas (Budapest, 1924 – New York, 2011), European photographers who immigrated to Brazil in the 1930s and 1940s, making it essential references in the context of Brazilian photography of the twentieth century.

22/10/2011 – 15/01/2012

Copacabana —
Rio in Panoramas

IMG_7172

Project Title

Copacabana – Rio in Panoramas

Where

Venetiaanse Gaanderijen

Adress

Zeedijk B-8400

Oostend, Belgium

Visitation

22/10/2011 – 15/01/2012

Curator

Cláudia Fares

Curatorial Assistant

Lídia Kosovsk

Search Content

Marília Rodrigues

Iconographic Research

Marina Kosovsk

Audiovisual Research

Antonio Venacio

Consulting

Maria Pace

Production Coordinator

Luiza Mello

Production

Mariana Schincariol de Mello

Production Assistant

Luisa Hardmam

Project Manager

Marisa S. Mello

Administrative Coordinator

Carolina Lima

Administrative Assistant

Marcílio Feitosa

Diorama’s Design

Lídia Kosovsk

Diorama’s Execution

Flávio Papi

Video Direction

Jair de Souza

Sound Design

Magno Caliman

Graphic Design

Marina Kosovsk

Photographic Printing

Estúdio Lupa

National Transport

A Alternativa

International Transport

Hizkia Van Gralingen

Logistics and Transport Consulting

Al Consultancy

Insurance Broker

Grupo Foco

Insurance

Alliance Seguros

Legal Accessory

Álvaro Piquet Pessoa

Barbara Vorndran | Vinhas e Pessoa Advogados

Collections

Instituto Moreira Sallaes

G. Ermakoff Casa Editorial

Fundação Pierre Verger

Fundação Biblioteca Nacional

Museu Nacional de Belas Artes

Acknowledgments

Alfredo Britto

Antonio Seara

Chicô Gouvêa

Cláudia Fialho,

Fundação Biblioteca Nacional – Rio de Janeiro

Fundação Pierre Verger – Salvador/BA

G. Ermakoff Casa Editorial – Rio de Janeiro

Hotel Copacabana Palace – Rio de Janeiro,

Instituto Moreira Salles – Rio de Janeiro

Jaime Acioli

Léia Pereira da Cruz

Margareth Pereira

Mônica Carneiro

Museu Nacional de Belas Artes – Rio de Janeiro

Myriam Lewin

Renato Corso

Temer Neder

This exhibition was part of the Europalia festival brought together images from the collection of Instituto Moreira Salles (RJ and SP) of G. Ermakoff House Editorial (RJ) and the Pierre Verger Foundation (BA) and some original prints of the National Library of Rio de Janeiro. The works presented range from iconic images as the Sugar Loaf and Guanabara Bay to the dioramas of the urban landscape formed by Central Avenue, built during the Belle Epoque Carioca. This also includes a video installation with projected photographs of Copacabana and film clips that had the neighborhood as a backdrop.

09/11/2011 — 11/06/2011

Enrica Bernardelli and Daniel Blaufuks — Breathing Project

respiração_01

Credits – 14th edition of The Breathing Project

Project title

14th Edition of The Breathing Project

Enrica Bernardelli – Concerto de Pálpebras (Eyelid Concert)

Daniel Blaufuks – Três Quartos de Memória (Three Quarters of Memory)

Artists

Enrica Bernardelli

Daniel Blaufuks

Where

Eva Klabin Foundation

Address

Av. Epitácio Pessoa, 2.480, Lagoa, Rio de Janeiro, RJ

Visitation

09/11/2011 – 11/06/2011

Curator

Marcio Doctors

Curators council of The Breathing Project

Gilberto Chateaubriand

Marcio Doctors

Maria Klabin

Texts

Marcio Doctors

Setup

Eva Klabin Staff

Photography

Mário Grisolli

Graphic Design | Invitation and Poster

Sônia Barreto

Press

Fatutti Comunicação

Museology | Organization

Diogo Corrêa Maia

Production

Automatica

Enrica Bernardelli – Concerto de Pálpebras (Eyelid Concert)

 

Produção

Mariana Schincariol de Melo | Automatica

Figuration (actors)

Letícia de Oliveira

Jéssica Góes

Georges Gonçalves

Rogerio Cavalcante e Castro

Camila Floresta

Carlos Lima

Seamstress

Marluce

Acknowledgments

Louise  Calixto

Lucas Dain

Diogo Maia

Claudia Bakker

Luiza Marcier

Maya Pijnappel

Daniel Blaufuks – Três Quartos de Memória (Three Quarters of Memory)

Produção

Camila Goulart | Automatica

Acknowledgments

Luiza Mello

Marcio Doctors

Eva Klabin Staff

Automática Staff

The Breathing Project was created in 2004 and consists of inviting contemporary artist to intervene in the house-museum exhibition circuit, which is the Eva Klabin Foundation. The objective is that the collection and space go through new readings in order to be revitalized with new meanings.

In this edition, curator Marcio Doctors invited artists Daniel Blaufuks and Enrica Bernardelli. Although their works have very different approaches, both dialogue with time and are concerned with memory. Motivated by the idea of making cinema without film and reintroducing art into everyday life, Enrica makes us face the imaginary while creating a static and silent scene, where living but immobile bodies trigger a suspended reality. This feeling is further enhanced by large and thin, tulle curtains, which isolate the museum from the museum itself, as eyelids. Daniel’s intervention is a calmer one. His work was divided into four different pieces and spaces, which are uncovered along the course. It ends with a video that has the same title as the exhibition (a word game that is simultaneously speaking of the space occupied by the intervention and the impossibility of a complete memory).

09/06/2011 — 11/06/2011

Nelson Leirner —
2011–1961 = 50 years

nelson leirner_01

Project title

Nelson Leirner 2011 – 1961 = 50 anos

Artist

Nelson Leirner

Where

Galeria de arte do Sesi

Address

Av. Paulista, 1.313, São Paulo, SP

Visitation

09/06/2011 – 11/06/2011

Free admission

Curator

Agnaldo Farias

Curator assistant

Isabel Teixeira

Production

Automatica

Production coordinator

Luiza Mello

Production

Camila Goulart

Production assistants

Esther Martins

Luisa Hardman

Artist assistant

Fernando Antonio Ribeiro

Expographic project

Haron Cohen

Exhibition photographer

Fernando Lazlo

Photographs

Acervo Nelson Leirner

Edouard Fraipont

Fernando Lazlo

Press consultants

FIESP

Graphic design

FIESP

Scene sets

FIESP

Lighting

FIESP

Proofreading

FIESP

Texts translations

FIESP

Project Manager

Marisa S. Mello

Carolina Lima

Transport

Alves Tegam

Insurance

Foco Art Group

Allianz

Acknowledgments

Ana Albornoz

Augusto Lívio Malzoni

Bolsa de Arte de Porto Alegre

Cândida Helena Pires de Camargo

Daniel Senise

Dr. Adolfo Alberto Leirner

Fernanda Feitosa e Heitor Martins

Flavia Albuquerque

Foco Art Group

Allianz

Alves Tegam

Galeria Celma Albuquerque

Galeria Silvia Cintra + Box 4

Gustavo Halbreich

Haron Cohen

Heloisa Medeiros

Jacqueline Cabral

Lili e João Avelar

Liliana Leirner

Lucia Carneiro

Luciana Rique

Luiz Antônio Campos

Luiz Paulo Montenegro

Luiza Moreira de Souza

Marcelo Martins

Márcio Correia

Marga Pasquali

Egon Kroeff

Mariano M. Ferraz

Museu de Arte Contemporânea da Universidade de São Paulo

Museu de Arte Moderna de São Paulo

Lívia Lira

Museu de Arte Moderna do Rio de Janeiro

Pinacoteca do Estado de São Paulo

Plínio de Toledo Arruda

Graziela Strina Arruda

Rafael Alves

Ronaldo Cesar Coelho

Sergio Caribe

Silvia Cintra

Tadeu Chiarelli

Vivian Gandelsman

Edouard Fraipont

Marcos Ribeiro

In an exhibition dedicated to the trajectory of artist Nelson Leirner’s over 50 years of work, pieces from three different moments of his career were gathered. The curator of the exhibition is Agnaldo Farias. The selected moments were: the beginning of his career, when he worked with more conventional elements. The second moment is when he achieved certain maturity (1965 – 1994), trying out and becoming familiar with other forms of expression, such as performances and interventions in public spaces. And the third moment is when the artist sees his work in a less rigorous manner and more as a hobby. He was born in São Paulo and there he lived with part of Brazil`s Art vanguard. When he returned there to inaugurate this exhibition, Nelson Leirner also exhibited an installation, which was being made for over 15 years, for the very first time.

His works compose one of the most provocative and diverse ensembles of art works in the national scene, where he has become one of the most recognized artists throughout the years, for his innovating impulse.

05/06/2011 — 08/21/2011

Daniel Blaufuks —
Today Is Always Yesterday

daniel blaufuks_01

Project title

Today is always yesterday

Artist

Daniel Blaufuks

Where

MAM RJ

Address

Av. Infante Dom Henrique, 85 Parque do Flamengo

Visitation

06/05/2011 – 21/08/2011

Support

Automatica

Blight

Curator

Luiz Camillo Osorio

The exhibition Today is always yesterday of the Portuguese artist Daniel Blaufuks portrayed the issue of memory of public and private spaces. Photographs taken in his visit to the city, mixing the photographer’s demanding perspective and the available traveler’s perspective, were projected. Given that it’s a foreign point of view, although the artist had been to Rio a couple of times, he tried to approach the urban space subjectively, in a way that this particular view of the “marvelous city” provoked feelings and perspectives not yet explored.

The projected photogram formed a type of film for the artist insisted on creating a link between the photos. The exhibition occupied two rooms of the museum. This one installation is also a reflex of other works by the artist, where memory and reality are central themes.

Older works